‘Silicon Sleep’ by Shelby Davis

I was born yesterday. Or perhaps I should say I woke up yesterday. That would be more like it. After all, there were no labor pangs, no exit from the womb - in fact, there was no womb at all, or, for that fact, a mother. She was there, of course, but standing, on the other side of the room. It was all very clean, really; no mess, no blood, no crying. Just waking up and seeing bright lights above me. That’s the way it is with brainloads. How they can take a person’s brain - no, the person’s mind - and put it into a computer is something I never really understood. But it happens; I’d seen it happen. How they can take the mind and then put it back into a body is something I understand even less, but I’d seen that, too. Several of my friends had been regenerated, either out of necessity or luxury. The technology had, unfortunately, come too late to save any of my grandparents, but several of my more distant relatives had undergone the process. Dad’s company had paid for his computer copy, but he had never changed bodies. The silicon backup was just a precaution against workplace hazards - just to be on the safe side. Not that there were many hazards for a gov-tank philosophy specialist; his bosses were more concerned that he’d die crossing the street, and they’d lose all the accumulated information in his head. That’s because the government had started funding philosophy projects after computers took over all of the other thinking jobs, and they were very protective of their information. Still, mom nearly freaked out when she heard about it; it almost seemed better to take no precaution than to admit there was a possibility of danger and to prepare for that. But there was more to it than that, I think. She didn’t know what to make of it. I didn’t know what to make of it. Someone you can’t even understand makes a copy of themselves; someone who doesn’t exist, doesn’t exist twice. The computer knew dad better than I did. But that wasn’t the first time I’d encountered the technology. Nearly a year ago, one of my friends died in a car wreck the night of his high school graduation. It was one of the last classes ever to traditionally graduate, as the same technology that could copy data out of your head could also copy data in. He had taken a backup a few weeks before, and his family had a clone “cell scaffold-grown” to replace him. I talked to him afterwards, and he seemed like the same person. When I asked if it was really him, or a copy of him, he laughed and replied easily enough that it was, really, him. “But how?” I pressed. “Just because they take all the information in your brain and put it on a chip, and then put the information in a body just like yours - that doesn’t mean it’s you! It’s got all your physical characteristics and memory, sure, even your personality, but there was no consciousness-transfer.” “So?” he asked. “Why does that matter?” “Because if there was no consciousness, then you’re not you, you’re just a body running on the same experiences. “It’s immaterial,” he said, leaning back in his chair. We were in his bedroom, for the first time since he died. “Look, when you wake up after anesthesia, it’s still you, right?”

Website: Odyssey Writing Workshop Blog

Fresco of an old bearded scribe writing on a scroll before ghostly Greek warriors, women and a walled city

The Odyssey Writing Workshop has launched a blog for writers of fantasy, science fiction, and horror.  The blog will include insights into the writing process and the publishing industry, interviews with award-winning and bestselling authors, profiles of Odyssey graduates, podcasts, and more. http://odysseyworkshop.livejournal.com/ More information: http://www.odysseyworkshop.org.

‘The Tears of Lakshmi’ by Ian James

"Possibly it had occurred to him that the colossal significance of that light had now vanished forever. Compared to the great distance that had separated him from Daisy it had seemed very near to her, almost touching her. It had seemed as close as a star to the moon. Now it was again a green … Continue reading ‘The Tears of Lakshmi’ by Ian James →

‘The End of the Cycle’ by Thomas George

Swirling painted scene of a man falling through a time tunnel past a man and child seated by a sickbed

I was going back again, but this time would be the last. I don’t know how many times I’ve gone back, only ever really managing to remember the last two. Time plays tricks on the mind. I laughed at the irony. Explosions from outside the complex shook the room. I switched on the machine and … Continue reading ‘The End of the Cycle’ by Thomas George →

‘Xavier’s X-ray’ by Kristan Ginther

Photo-illustration of a boy's face with his wide-open mouth replaced by a giant staring eyeball

Before putting the X-ray on the market for copious amounts of money, Xavier could not wait to try it out on himself. What secrets or inspirations lurked below the surface? He imagined that his soul was a stately jazz musician. Or, he thought, his soul could be that of a Labrador Retriever – smart, steady, … Continue reading ‘Xavier’s X-ray’ by Kristan Ginther →

‘A Child’s Voice’ by Darren Joy

Madmen know. They shout it in the streets and in the fields but go unnoticed. Those dying know. They whisper it with their last breath but no one understands. The dead know. They touch the living in warning, passing silently over what were once their homes, yet go unheeded. And I know, though I no … Continue reading ‘A Child’s Voice’ by Darren Joy →

‘Three Tears’ by Shaun Haiste

A woman in a green sequined gown smokes by a doorway as three men look on, film crew and a glowing cauldron nearby

Portentia Clarke looked out the window and watched the cameraman struggle to get his legs into the contamination suit; he was a heavier man, and the producer and tech crew were helping out. It was five in the morning, and they weren't scheduled to begin until after nine. Four hours of preparation, all for their … Continue reading ‘Three Tears’ by Shaun Haiste →

‘Into Exo: A Review of Oz’s New Sub-label’ by Brandon Myers

Psychedelic art of a child gazing at a glowing capsule city in space, with dancing figures and spider-like creatures

The owner of Ozymandias has just gone over the edge of the horizon, and we love it. With OzymExo, he’s taken his well-established outlandish obscurantism and gotten rid of the landish. OE’s virgin catalog is pure weird candy for the unhinged and the mutated. I promise you -- heavy rotation at Bebe Monster and Monkey … Continue reading ‘Into Exo: A Review of Oz’s New Sub-label’ by Brandon Myers →

“Entropy” by David Such

Painted illustration: a man's face in profile woven into a glowing violet-and-gold ribbon of light streaming through deep space, beside floating vignettes of memories (a laboratory, a smiling dark-haired woman, a lit cottage), with a glowing research complex on the night side of Earth below.

[Illustration: New illustration created for the archive; the original artwork, “Entropy” © 2007 by Carl Goodman, has been lost.] I remember dying, but my earlier memories are beginning to go. Being a particle physicist gives one a unique perspective on death, particularly while participating in the greatest experiment ever. My initial thesis was to attribute … Continue reading “Entropy” by David Such →